Artist: Lonnie Mack
Songs: Bicycle Annie
Album: The Hills of
When Lonnie Mack sings the blues, country strains are sure to infiltrate. Conversely, if he digs into a humping rockabilly groove, strong signs of deep-down blues influence are bound to invade. Par for the course for any musician who cites both Bobby Bland and George Jones as pervasive influences.
Fact is, Lonnie Mack's lightning-fast, vibrato-enriched, whammy bar-hammered guitar style has influenced many a picker too -- including Stevie Ray Vaughan, who idolized Mack's early singles for ...
The third and last album that Mack recorded for the label in his brief stint with them in the late '60s and early '70s, The Hills of Indiana must have surprised quite a few listeners familiar with his earlier work. There were little of the blues-rock-RB-oriented guitar fireworks that many of his earlier recordings had boasted. In contrast, it was a pretty laid-back affair with plenty of roots rock, country-rock, and early-'70s singer/songwriter influences. Steel guitar and fiddle augmented the usual rock lineup, string and horn arrangements were devised by Norbert Putnam (who played bass on much of the record), and there were liberal touches of gospel in the songwriting, singing, and occasional background vocals. The set was divided between collaborative compositions between Mack and Don Nix (who sang lead vocal on "Three Angels") and covers of songs by Carole King, Bob Dylan, Mickey Newbury, Bill Monroe, and others. As with many early-'70s records -- including those of another early rock roll guitar pioneer, Link Wray -- the influence of the Band's dignified Americana is substantial. At times it sounds a little like the Band crossed with some of early Elton John's most American-influenced material, perhaps with a pinch of John Fogerty. While this type of stuff might not be Mack's forte, actually it's quite respectable, if low-key, and sung with endearing, earnest conviction. - Richie Unterberger, All Music Guide
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